Aedysa - Red Black Roses

Oh, Anon tsk tsk tsk 🤦‍♀🤷‍♀🤷‍♂🤦‍♂

You shipping reylo is ok but you writing anything is not. Have you read your own writing? That Secret Santa fic was such a trash, even the garbage men won't want to pick it up. People have talents, but you certainly don't have that for writing or anything. Good thing you seem like your a rich girl and there are things you can afford but forcing yourself to write? Just give it up already. Met us all have a good Christmas. Spare us!!!!

Hello! Thank you for your feedback and thank you for taking the time to read the fic I wrote even if you thought it was trash. As far as writing is concerned, I never said I was any good at it but I certainly think I'm not that atrocious. Thank you for being a fan and for being concerned about my well-being. I wish you a Happy Christmas and hope that you continue to give me feedback on whatever it is I do because you seem to know better and I really respect your wise counsel. 💕

Love and light. 💕

I am X, god of all evil NPCs.

😈😈😈😈

I am Arran, god of the most important thing

EDIT: if y'all don’t wanna use your name use your username

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What otome players really want

As the result of my otome survey with 800 respondents, here is an in-depth analysis of the results, comparing and finding common links between players.

Survey Results

It seems the biggest two groups in otome are those that self-insert and those that don’t. Then there’s the groups who enjoy more focus on story, and those that enjoy more focus on romance.

Basically, otome players have a variety of likes and needs. Any otome developer will find it useful to read through this article!

Please share so that more indie devs can find this article and better understand their players :)

SLBP is totally worth it.

Hmm...as to the starting route...Yukimura is a good choice. :) Just don't do his act 2 yet. Other good choice is Masamune.

For ninjas, if ever, (after 1st route finish) Kyoichiro.

It also pays to read other's reviews when it comes to specific routes so you'll know what to expect (because SLBP likes variety ranging from good and less-than-good, plus throw in possible character deaths to make us cry 😫) but I suggest that, if you can, do ALL of them for the experience.

Opinion welcome: SLBP

I've been contemplating on playing this for a while now, but I'm more drawn to Ikesen so I didn't bother. Is it worth playing? How different are the characters from Ikesen?

And lastly, (if I do play it), whose route do you recommend I play first? 💕

Thank you!!!

Oh my, Nobuyuki’s ES is such a satisfying roller coaster, isn’t it? I love it! I love it so much. It’s fast but it’s meaty and I daresay, believable, and it’s all thanks to the way MC is written. She’s so good here. I LOVE LOVE LOVE THIS MC!

And if I have to pinpoint the moment Nobuyuki falls in love with her. 

It’s this moment.

Also, I am fistpumping when this is her reaction to Nobuyuki’s sudden proposition.

Nobuyuki MC, YOU ROCK!

Yasu is willing to wear hamster outfit as long as MC gives him a lot of ichigo daifuku...

My favorite scene. Got me glued till the end.

For just a moment there, I thought maybe.

Reblog for future reference

Actually

The question I get the most is how I write characters that feel like real people. 

Generally when I’m designing a human being, I deconstruct them into 7 major categories:

1. Primary Drive 2. Fear: Major and Secondary 3. Physical Desires 4. Style of self expression 5. How they express affection 6. What controls them (what they are weak for) 7. What part of them will change.

1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it. 2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4. 3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.

4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially?  5. How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?

6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for.  What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of. 

7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot. 

That’s it.

But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?

If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?

How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?

Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.

They start to breathe.

Nobunaga: (¬_¬)

Mitsuhide: ( • ̀ω•́ )

Nobunaga: (-_-#)

Mitsuhide: (^_^)