O, Come, Be Buried / A Second Time Within These Arms

o, come, be buried / a second time within these arms

zoro x f!reader

word count: 3k

warnings: hurt/comfort, sex as a form of comfort, fingering, cuddlefucking, creampie, scent kink, oral (f!receiving), cum play, cum eating, violent imagery, bit of aftercare

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there is a storm building inside you.

zoro can see it raging even as you keep your face turned from him. the room dark save for the moonlight that streams in through the open window, just bright enough to spot your outline curled up in bed, covers tucked up under your chin. lines of tension keep your back rigid and shoulders hunched, your breathing shaky and slow as you tell him to leave.

you’re vicious gales and crashing waves wrapped into one, devastating and beautiful.

“you don’t want to be around me right now,” you say, words muffled by your pillow.

“don’t tell me what i want,” he doesn't try to bite back the anger that laces itself through his tone. zoro has never censored himself from you before and he wasn't about to start now.

ire thrums hot in his veins, burning and boiling away beneath his skin. he has always given you every part of himself, heart served in his open, blood-stained palms, for better and most certainly for worse.

the thought of you holding yourself back from him, that there’s a part of you that he’s being denied, sets his teeth on edge. he'd been searching for you all day, prowling around the ship like a caged animal until finally found his way to where his search should have began, the tiny storage room that had become your shared quarters.

“you pissed at me?” he asks.

“no,” you say.

“want me to kill anyone?”

“no.”

it grates on him that there’s no enemy for you to sic him on, no bones to crack, no blood to spill. your pain deserves retribution and he is the blade that would carry it out, if only you would wield him, "then i'm staying."

"zoro, please. just go."

“who do you think you’re protecting by hiding yourself away?” he steps in closer, right to the edge of the bed but makes no move to touch you, “cause it’s not me and it sure as fuck isn’t you.”

you throw a dagger of a glare his way, so sharp it could make a man bleed before he even knew he’d been cut. he doesn’t care. a small price to pay for your gaze.

zoro is too loyal of a beast to flinch away the first time you flash your fangs at him.

you hold his gaze for a moment longer before turning back around to face the wall once more. in your silence, he resolves himself to sitting on the floor by your bedside until he can be of some fucking use to you. zoro would lick crumbs of affection out of the palm of your hand. if the closest you'll let him be to you right now is knelt on the ground, keeping vigil, then he'll take it. he's crouched halfway down when he hears you call for him.

“baby, get in.”

how you have enough sweetness in you to spare him a kind word even when you have none for yourself, he will never understand. zoro takes a moment to pull his swords free from where they hang on his hip, propping them up against the wall where they’ll still be in arm's reach before he pulls back the covers and settles in next to you.

you're cold to the touch despite having been buried under the blanket, dressed only in a simple shirt and underwear and zoro is quick to throw an arm around you and pull you in by your waist until you’re pressed flush against him, his other arm slipping under your head for you to rest on. he buries his face in the crook of your shoulder, breathes you in and for a moment he can almost smell the scent of your hurt lingering on your skin, thick and bitter as blood.

there’s an urge, ever present and never sated, to dig his teeth into the side of your neck and bite down until iron coats his tongue, to taste you, know you, in a way no one else ever has or will. it’s an urge he can only hold at bay by pressing open mouth kisses to your throat and feeling your pulse flutter against his tongue.

you slowly start to melt in his arms, the tension you wore like ill-fitting armour stripping off you piece by piece with every kiss until you’re free from its hold, warm and light.

“better?” he asks, slipping his hand under your shirt and pressing his palm flat against your stomach just to feel it rise and fall, follows the rhythm of it and matches his breaths to yours. the reassurance that you're whole and safe is a cool balm to his worries.

“a little bit,” you whisper.

“but you need more,” it’s hardly a question that needs to be answered, not with the way you’ve started to shift in his hold.

“you don’t have to—”

“i do. i want to.”

and there’s more he could say, he knows there is. pretty poetry to comfort you, sweet nothings to soothe you. but what use would empty words be to you? they can’t hold you, can’t keep you warm, can’t wipe your tears.

zoro can. he will. for you, he’d do anything and everything. all and more.

the room settles into silence, his offer hanging in open air and ripe for your taking. you don't reach out for it, not yet, but zoro doesn't mind. he can wait.

“impatience is a swordsman’s undoing,” his master had once told him a lifetime ago when zoro’s palms were still soft enough to bleed and grief was a companion so new it still stepped on his heels as it dogged his footsteps.

of the two of you, patience has always been your strong suit rather than his. it was your patience that brought you together, when you stepped into his life with a hand outstretched and he met you the same way he met all good things that tried to enter his life, with a snarl and blood stained teeth.

zoro kept you at a careful distance with all the wariness of a distrustful stray, always watching but never getting close. it was you who slowly bridged the gap, gracing him with kindness and company he'd done nothing to earn but gorged himself on anyway.

it was only because of your patience that he knows the bliss of falling asleep and waking up with the warm weight of you in his arms. the least he could do is pay you back with what you've always freely given him. so zoro holds you close and waits.

and waits.

and smiles, sharp and proud, when you take his hand that still rests on your stomach and lower it until he’s cupping you between your legs, the heat of you searing his palm even through your panties.

your hips jerk when zoro doesn’t move, a soft whine catching in your throat when his other arm circles around your chest and holds you still against him, “zoro.”

“i've got you,” he says with a kiss behind your ear, toying with the waistband of your panties before sliding his hand inside.

he slides his middle finger down your slit, dipping his fingertips into the slick heat of your cunt to wet them before drifting back up to where you need him most. there’s no rush as zoro rubs neat, tight circles against your clit, slow and firm even as you buck and try to grind down on him.

he wants you to feel every moment of this, to savour it, to drown in pleasure so deep you never want to come up for air.

another kiss to your throat, one on your jaw and you finally melt back into him, legs spreading just enough for zoro reach lower and start to ease a thick finger inside you.

“there you go, baby, that’s it,” he says, “let me in.”

you swallow him down to his knuckle, trembling in his arms when zoro slips in a second finger and crooks them to rub against the spot that never fails to pull the prettiest sounds out of you.

he shifts, trying to move lower between your legs without pulling his fingers out so he can taste where you’re wet and aching for him but you stop him by threading your fingers through his short strands, keeping him in place.

“what?” he asks, “you don’t want my mouth?”

“no, not— not right now. just stay close. keep holding me. please,” he hates how small you sound.

“i’m here. i’m right here. fucking kills me knowing you were in here hurting by yourself."

"i'm sorry.”

"don’t,” the anger he felt when you tried to send him away rears up once more. an apology is the last thing he wants to hear from you right now, “just find me next time. doesn't matter when or where. you find me. got it?"

“yeah, i got it,” you start rocking back into him, soft ass grinding against his clothed cock, “zoro.”

“i know. i know you want it, baby, but i gotta stretch you out first. can’t fit when you’re this fucking tight.”

your answer is lost in a moan as he eases in a third finger, thumb pressing against your clit. the angle isn’t kind on his wrist but zoro keeps his pace steady, spreading and curling his fingers until you’re soaked and soft and ready for him. he pulls his hand out of your panties, kissing your nape when you whine from the loss before he licks the taste of you off his fingers.

“i'm not going anywhere,” he says, "keep your eyes on me."

zoro waits until you turn in his arms and he has your gaze before he gets out of bed and undresses, leaving his clothes in a pile next to his blades. you sit up to tug your panties down and kick them off, your shirt following soon after.

you’re bare and soft and holding out a hand for him to take. zoro laces his fingers through yours and joins you once more, stripped of his swords, his clothes, and his restraint.

you don't crash into each other so much as you collide into a bruise of a kiss. it aches more than it soothes but the shared pain of it only has him pressing closer to you, your soft tits pressed to his chest, legs intertwined and weeping cock trapped between your stomachs.

he reaches up to cup your cheeks and breaks the kiss to pull back just far enough to take in the sight of you, all swollen lips and glassy eyes. it takes a heartbeat longer than it should for you to focus on him. the storm is still raging inside you but zoro refuses to lose you to it. he stands firm against the buffeting winds that threaten to rip you away from him and swipes his thumbs over your cheekbones.

“still with me?” he asks.

you turn into his touch and kiss the rough centre of his palm, “‘m here.”

"then take what you need, baby."

you slide a hand between your bodies, taking his cock into your hand and guiding his tip to your entrance. even with all the prep, it takes some time to sink inside you, time you spend peppering kisses across his face. he bears them as he bears the scars that litter his body. with pride. with honour.

zoro bottoms out with a low groan, grabbing you under your knee and hooking your leg over his hip to slip in that much deeper. every sense is flooded with you. the wet heat of you wrapped around his cock, the heady scent of your sweat and need swimming around his head, soft skin beneath his palms.

entangled and weaved together like this, heart and breath as one, zoro is drawn into the eye of your storm.

your pleasure is his, your pain his own.

still, clear waters surround you both as he waits for you to adjust. with how closely he watches you, he knows you’re ready even before you wrap both arms around him and start to roll your hips.

he keeps one hand under your knee, the other sliding down your back to rest on your ass, and uses his grip on you to pull you into a slow, dirty grind.

“oh fuck,” you moan as the two of you find your rhythm together. zoro barely pulls out, keeping himself buried to the hilt inside you. you jerk back as he rolls his hips just enough to grind your clit up against his pelvis, his firm hold on you the only thing keeping you pinned in place.

“easy now. don’t run from me.”

time slows to a crawl, every moment yawning and stretching into the next, slow and sweet as honey. you tip forward, closing what little space there still was between you to pull him into a kiss that has all the intimacy of a hard-fought spar, of learning to move together, of missteps and growing pains, of getting the wind knocked out of him only to be pulled right back on his feet.

you’re close, all worked up and sensitive from his fingers, cunt fluttering and clenching down around him as you near your high. zoro chases your pleasure down, a starving mutt set loose upon a feast. he uses the little leverage he has to wrestle you on to your back and fuck into you with short, heavy thrusts.

“c'mon, baby, that's it,” he says, bent low to brush his lips against your ear, “let go.”

he reaches down between you, thumb pressing firm against your swollen clit and you’re gone, swept out to sea as your high crashes down over you in waves. zoro hardly feels his own orgasm rip through him, too caught up in watching you shake apart and be remade in his arms.

all is still as you pant and come back into yourself. your hand slips back into his and squeezes once. he’s not sure whether you’re trying to reassure yourself that he’s still here or that you are but he squeezes back all the same.

“can i eat you out now?”

and for the first time since he stepped into the room, a smile breaks over your face, bright as the dawn sun breaking through an overcast sky. you pull out of his hold, his soft cock sliding out, and settle on your back, legs falling open, “go for it.”

zoro eases himself down between your legs, throwing your thighs over his shoulders, never letting your hand slip free from his. he takes stock of your fresh fucked cunt, clit puffy and hole clenching around nothing, dripping with him. the scent of you, of the two of you, is thickest here, heavy in his nose, and zoro breathes you in with deep, greedy lungfuls, spent cock twitching against his thigh.

he dives in, catching what leaks out of you on his tongue before pulling back and dribbling the mess of cum and spit all over your pussy.

“nasty,” you say and zoro wants to kiss the curl that sits pretty on the corner of your lips. he settles for kissing your clit instead.

“you like it.”

“i like you.”

you wield your honesty with all the ease and carnage zoro wields his swords, sliding it between his ribs and piercing his heart clean through. the pain is lost as he’s distracted by the light pouring in as the moon rises higher into the night sky.

or maybe it’s your eyes that take the pain away because it’s only through them that he notices how bright the moon’s light shines tonight.

zoro devours you, gaze fixed to yours, one hand still holding yours while the other arm keeps your hips pinned to the bed. he takes his time cleaning you up, lapping at your folds until only the taste of you remains. it’s only then that he sucks your clit into his mouth, slipping two fingers inside you to give you something to clench down on.

you are a vision in your bliss, one he has no right to bear witness to. a lifetime of blood and blades and butchery shouldn't be rewarded with the softness of you in his hand and on his tongue. it's not right.

but as you take hold of his hair to keep his mouth pressed flush against your cunt, zoro finds he couldn't give less of a shit if it's right. all that matters is if he does right by you. there's an oath in every broad stroke of his tongue, a vow in every kiss to your clit, to take care of you in all the ways you need, in all the way he knows how.

today and for all days.

your orgasm is a gentle thing that washes over you and steals your breath for a moment, smaller than the first but leaves you just as ruined.

zoro takes his rightful place by your side once more, gathering you up in his arms and running his knuckles up and down your spine.

"thank you," you press a kiss to his cheek, just below where his scar ends. he accepts the kiss but not the gratitude that comes with it.

a hound needs no thanks for fulfilling its nature.

later, he will carry you off to the baths, let you pop open bottles for him to smell that make his nose itch but that make you beam, wash your back, and wait with the patience you’ve taught him for you to share what’s trapped inside your head.

he may not understand, may not have the comfort of words to give you, but he will listen. and he will stay.

but that is for later.

for now, zoro holds you to his chest and watches over you, moonlight and peace washing over you as you catch your breath.

dedicated to: mah wife @katslutski and loml @saotoru

More Posts from Fezisstuff and Others

fezisstuff

10 months ago

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.”

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

Find a Protest near you

Donate or Join Palestine Action

Donate to Palestine , HelpGaza , Palestine Donations , Aid Palestine

Learn about Palestine

8K notes View Post

fezisstuff

2 years ago

Me every time I open up tumblr and spot like 5 new "porn"bots:

173 notes View Post

fezisstuff

2 years ago

If you know who Emmett Till is please reblog.

I’m trying to prove a point to my dad.

38K notes View Post

fezisstuff

2 years ago

Digging into MK Ultra is probably the fastest way to find yourself deep in the Rabbit Trail.

It’s got mind control, propaganda, Nazis, abuse, ritual abuse, sexual abuse, pedophilia, SO MANY drugs, telekinesis, remote viewing, astral projection, and some good ol’ fashioned Devil Worship

33 notes View Post

fezisstuff

10 months ago

DO NOT FORGET OR FORGIVE OR STOP SHARING OR TALKING

FREE PALESTINE 🇵🇸🇵🇸🇵🇸🇵🇸🇵🇸

63 notes View Post

fezisstuff

1 year ago

Please repost!

Palestine, Sudan, Congo, many more. All are war crimes and acts against humanity.

1K notes View Post

fezisstuff

2 years ago

the western view of geisha is so funny because it’s completely wrong

white man sExY oRiEnTaL PrOsTiTuTe (ugh) fantasy:

actual geisha:

real geisha are entertainers and performers, not sex workers. I think the term most people are looking for is oiran, high-ranking japanese courtesans. both are/were (in case of oiran) talented artists and successful businesswomen who deserve respect. but orientalism doesn’t care for cultural accuracy! just hypersexualization of East Asian women!

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fezisstuff

1 year ago

(╥﹏╥)

2K notes View Post

fezisstuff

1 year ago

4K notes View Post

fezisstuff

10 months ago

Hey, so, you guys aren't gonna pay Disney money to watch Captain America: Brave New World, right?

You know, the upcoming MCU movie that features Shira Haas, an openly Zionist actress who served in the IDF, playing Sabra who's a pro-Israel Propaganda, Anti-Palestinian superheroine?

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