Oh Snap

The children of the big three are painfully beautiful.

beautiful as poisonous flowers.

One touch and you're dead.

they are though—they’re venomous creatures, poisonous flowers, forces of nature. the world itself runs through their veins. gods treat them with caution; mere humans don’t stand a chance.

Percy is a riptide. he’s the calm of ocean, moments before its rage. he’s the sun on the beach, the warmth of the sand, the calming, constant crash of the waves. he’s the smell of the salt in the air and the cold of the water against your skin. you can swim, you think, you’ll be fine. he smiles and it’s more beautiful than a sunset over the shore. and then the pull starts. in seconds, you’re farther from shore than you’ve ever been before. trying to swim back tires you out and sees you no closer than before. in fact, now you’re even farther out. the water pulls you under, still as beautiful as it was from shore, and you can’t find your way back up.

Thalia is the eye of the hurricane. the deceitful calm at the end of the storm, luring you out from your shelter. there is nothing more peaceful, more still and tranquil. the sun peeks out from the clouds that surround you from all sides. the wind and rain have died. there’s a rainbow in the sky. the storm is over—except it isn’t. one moment is all it takes, and the hurricane is back with a vengeance. the wind tears at you, rain lashes at you, thunder shakes your bones in place. you walked too far from your shelter, and you might not be able to make your way back.

Jason is hail. the rain is beautiful. it’s a breathtaking storm: impressive thunder, streaking lightning, howling wind. the house shakes around you and the lights go out. the concussive sound of the rain on the roof is soothing, until it isn’t. until it isn’t rain, and the roof isn’t whole. now, the storm is invading your home. the hail is punching its way into everything it can reach. car alarms spring to life outside; those who were watching in awe are now fleeing in terror. it only takes one hit, after all—one lucky piece of hail—to end a life.

Nico is an earthquake. the planet is ancient; the ground was old before you were here and it will be old after you go. it’s sturdy, and supportive, provides life and food and shelter. long ago, when the ground danced, when it shook itself free and sent cities tumbling to the ground, they called it the gods’ wrath. now, it’s called plate tectonics. no matter what it is, no matter why it happens, it is lethal and dangerous and uncaring of those it affects. nowhere is safe when the world turns on you, and if it decides you and your shelter should fall, you will.

Hazel is a sinkhole. the appearance of stability, of rock-solid ground and firm foundations. nothing is wrong, will ever be wrong, she’s the rock that holds everyone up. and then that rock is gone, and you’re falling, down, down, down—your home collapsing around you, your belongings claimed by the morbidly hungry earth. there’s a light at the end of the tunnel, but is it sunlight, far, far above you? or is it magma, far far below?

It’s basically the same picture.

The loaf is ready

shoutout to everyone who wants to infodump but cant string together coherent thoughts to form sentences and instead just look at you like this

By LabradoriteKing on Pinterest

miles morales is only ever allowed to hang out with the spider-gang for like a day because any longer and he'd start unlocking their traumatic pasts and suggesting healthy coping mechanisms about it. he was in that HQ for ten minutes and already pointing out how messed up miguel's trauma response of micromanaging the multiverse is. immediately said that gwen should just talk to her dad. didn't let peter B get himself killed because he was scared of messing things up with MJ. the real anomaly here is that a spider-person has emotional intelligence

Double take

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