hm. so the blood and cheese thing felt kind of anticlimactic to me. it just fell kind of flat? it wasn’t helaena’s reaction that ruined it for me—i think she was simply in shock and her actions make sense to me explained that way—but for a few reasons i just didn’t get the emotional impact from the scene that the scene in the book had. maybe i will come up with a more eloquent analysis of why later on but right now these are my thoughts as to why:
1. The characters of Blood and Cheese themselves felt flat and cartoonishly evil, so much so that it broke my suspension of disbelief and at one point during the part where they were sneaking around the tunnels i actually made myself laugh by thinking “this is like some shit out of bbc merlin”
2. The major issue stems from the decision to cut Maelor from the show. Idk about you guys but for me the most fucked up part about that scene in the book was the fact that they made Helaena choose between which of her sons they would kill (and then killed the one she didn’t choose anyway and made sure the one they spared knew she had chosen him to die). That’s the part that really stayed with me. That’s some serious psychological nightmare material. i could see them trying to reference that choice she made by having her point out her son, but it just didn’t pack the same punch as making her actually CHOOSE, and it felt awkward within the scene and just kind of shoehorned in there.
idk. overall i enjoyed the episode, but i expected more punch from that plot point
ANDOR S02E09 Welcome to the Rebellion x Star Wars: Episode IV - A New Hope
Please look at this man ....
Thank you for your time.
hey so like i need him in a biblical sense
It makes me so angry that there was no one protecting her, the queen left her rooms in the middle of the night and there was absolutely no one.
“They like the smell of burnt mac and cheese?”
“They like the smell of begging.”
CHRIS RODRIGUEZ THE MAN YOU ARE
i’m a sucker for the “she fell first he fell harder” trope and i’m sitting here wondering why as if my childhood wasn’t defined by pjo and specifically percabeth
one of the hundred things I love about Andor is that in the end, all the villains were destroyed not in an epic showdown with the rebels or whoever but by the machine that they worked for. syril was a faceless casualty of the genocide he helped create. dedra was done in for putting ambition over conformity to the machine, and she took down partagaz, who essentially created her, along with her. even heert was quite literally killed by his own droid and his own men. all of them were crushed by the wheel they dedicated their lives to keep turning. it's just so deeply deeply satisfying.
Rhaenyra: "I want Aemond Targaryen"
Daemon: *puts the crime cloak*