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Immortal Husbands - Blog Posts

2 years ago

Robert fucking Hob Gadling really had the nerve to be jealous of Will Shaxbeard, after showing his boyfriend friend acquaintance that he was the side piece after 200 years of going on dates.


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11 months ago

little update #3 on my kaysanova lino cut:

[here you can find my first and second update, as well as my initial post with the sketch]

Little Update #3 On My Kaysanova Lino Cut:

I didn’t have a lot of time to work on this recently, but I’m almost entirely done with the black layer (only the border around them needs to go) I still wanted to give an update since it’s been a while

I changed the hilt of nicky’s sword because with this bigger version I went for a more realistic look for the weapons (not realistic just more realistic) and the shape of the hilt ended up looking weird but I’m not entirely happy with it now either. idk

I should be able to print this next week but maybe I’ll also do it tomorrow?? (and yes I am aware that this project is a continuous string of I’ll-do-it-next-weeks haha but maaayyybe this time I’m right) and if I feel like it I’ll also do the coloured layers (or at least one of them)

I also already have an idea for my next big project but that one is more complicated (and time consuming) than the current one and also not within the ballpark of things I’m capable of and I also really should work on some stuff that isn’t fanart

so we’ll see if I’ll actually go ahead with it


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11 months ago

little update #2 on my kaysanova linocut:

[here you can find the first update and my original post with the sketch]

the photo shows a (partially cut) linoleum block with a sketch of joe and nicky kissing on it. (it's a drawing of the van scene from the old guard) the sketch was made in ballpoint pen and the negative space above and between joe and nicky was blacked out with a posca pen. beneath them there is a stylised depiction of a scimitar pointing in nicky's direction and a sword pointing in joe's direction.

I am now done with about a third (?) of the black layer. this is taking me much longer than I anticipated but right now I'm still having fun with it so I don't really care. I want to finish at least this layer in the next couple of days though.

also (again) a little bonus, the one thing I drew last week:

Little Update #2 On My Kaysanova Linocut:

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We’ve Been Afforded More Time Than Any Lovers I Can Name. And Still, Every Moment We Scrape Together
We’ve Been Afforded More Time Than Any Lovers I Can Name. And Still, Every Moment We Scrape Together
We’ve Been Afforded More Time Than Any Lovers I Can Name. And Still, Every Moment We Scrape Together

We’ve been afforded more time than any lovers I can name. And still, every moment we scrape together feels precious. 

–The Old Guard: Tales Through Time


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a digital drawing of nicky (from the old guard), he is sitting in a night club (the eldorado in berlin in 1932). it is a headshot. his head is slightly tilted to the left, he is looking to the right to joe (who is not in the drawing). nicky himself is kept in different shades of gray, the background is coloured in a darker gray and warm but not vibrant colours. on the left next to his head there is a speech bubble which reads: "Can we have one romantic night without starting an incident?"

I redrew of one of the panels (or at least part of it) from tales through time

here it is without the speech bubble:

a digital drawing of nicky (from the old guard), he is sitting in a night club (the eldorado in berlin in 1932). it is a headshot. his head is slightly tilted to the left, he is looking to the right to joe (who is not in the drawing). nicky himself is kept in different shades of gray, the background is coloured in a darker gray and warm but not vibrant colours.

and the original panel:

the picture is a panel of 'zanzibar and other harbours' from 'the old guard: tales through time'.  in the middle there is nicky, he is sitting in a night club (the eldorado in berlin in 1932).  his head is slightly tilted to the left, he is looking to the right to joe. part of joe's face is visible on the right border. in the top left corner there is a speech bubble, it belong to nicky and reads: "Can we have one romantic night without starting an incident?". In the bottom right corner there is another speech bubble, it belongs to joe and reads: "I don't know what you're referring to." In the background there are three other people visible.

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a little update on my kaysanova lino cut:

(here is my original post with the sketch)

the photo shows a (still uncut) linoleum block with a sketch of joe and nicky kissing on it. (it's a drawing of the van scene from the old guard) the sketch was made in ballpoint pen and the negative space above and between joe and nicky was blacked out with a posca pen. beneath them there is a stylised depiction of a scimitar pointing in nicky's direction and a sword pointing in joe's direction.

I think I'll get around to cutting this and preparing the coloured layers next weekend

also a little bonus: I already cut a smaller version of this a couple of days ago but it ended up being too small and didn't look right (therefore the second version which is a bit more than double the size)

so here's a little comparison:

A Little Update On My Kaysanova Lino Cut:

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a collage of three digital sketches. the two in the background are black and white and very rough. one of them shows joe and nicky being pulled apart (after joe was stabbed by merrick) and the other one (in the top right corner) shows them a moment later. In the foreground to the right there is an unfinished coloured sketch of shirtless marwan kenzari/joe.

I will probably never finish any of these, so I'm just going to leave them here


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Nicky Sitting At A Campfire With Joe, A Couple Of Years After They Met

nicky sitting at a campfire with joe, a couple of years after they met

also my laptop fucked up the colours, they're actually higher in contrast and way more vibrant (more orange/red-ish). it was fine everywhere else, so I hope it's just my laptop. I know that it can show up differently on different devices but I never had it this extreme??


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The Sketch I Made For A Lino Cut I'm Working On, I'm Not Sure About The Colours Yet Though

the sketch I made for a lino cut I'm working on, I'm not sure about the colours yet though

also additionally, sth I played around with yesterday:

The Sketch I Made For A Lino Cut I'm Working On, I'm Not Sure About The Colours Yet Though

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1 year ago

Nicky and Joe just out there absolutely crushing the enemies to lovers trope. no one’s doing it like them. iconic.


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a comprehensive “guide” to sin in Catholicism - for the TOG fic writers

DISCLAIMER: I AM GOING OFF WHAT CATHOLIC HIGH SCHOOL AND GROWING UP IN CATHOLICISM HAS TAUGHT ME ABOUT SIN. IF YOU REQUIRE MORE INFORMATION SEEK OUT A PRIEST OR A THEOLOGIAN OR THE INTERNET (ALTHOUGH THAT MAY LEAD YOU DOWN A RABBIT HOLE) 

pls feel free to add on in the comments section :) 

Sin

Committing an action or thought that goes against the teachings of Catholicism

Teachings can include the Bible, 10 Commandments, whatever the Catholic Church says is right

Examples of sin: murder, lying, cheating on your partner

Original sin 

When Adam and Eve ate from the fruit of the tree of forbidden knowledge, sin entered the world through them

Every human being born since then is born with original sin

Original sin can only be washed away through the Sacrament of Baptism (which is what you need to be part of the Catholic faith)

Absolving sin

Sin can only be absolved by a priest or someone higher up in the Church hierarchy through the Sacrament of Reconciliation/Penance

The priest acts as a direct line to God, allowing him to remove sins which you confess to

Reconciliation will only forgive sins which you have confessed to or completely forgotten, not sins that you are deliberately holding back

The priest is forbidden to tell anyone else of what you confessed to, even murder

The Sacrament of Anointing of the Sick also has a similar effect of forgiving sins

If someone died with sins, they would go through purgatory (sin cleansing) which is a period between death on Earth and going to Heaven

Mortal vs Venial sins

These are the two types of sins

Mortal sins

Extremely grave sins e.g. murder (although the Catholic Church does not give an exhaustive list of sins and which category they fall under)

For a mortal sin to exist, it must satisfy these three criteria 

Grave matter: the matter is evil and immoral e.g. murder, masturbation, divorce

Full knowledge: the person must know that what they’re doing is evil and immoral

Deliberate consent: the person must freely choose to do this action

Think of it like this: a Catholic person has their own unique relationship with God but when said person commits a mortal sin, their relationship with God is completely cut off until they confess to that sin in Reconciliation

A person who dies with mortal sin intact is sent to hell

Venial sin

Lesser sins basically

A venial sin will weaken a person’s relationship with God but will not destroy it however, going to Reconciliation will restore and repair that relationship

Jesus dying for our sins

Jesus dying on the cross can result in a deep rabbit hole with many different interpretations and different symbolic meanings depending on which way you focus on it so therefore we’re doing it through the idea of sin and what I remember from high school religion classes this is going to be so rough

Jesus dying and resurrecting can represent the idea of Baptism as Catholics come to new life in Christ through Baptism 

Jesus’ cross represents human sin, therefore he died carrying our sins and for human sin

As mentioned before with a Catholic’s relationship with God, Jesus dying restores the relationship between God and the human race so that we could be forgiven of our sins

Revelations

I’m going to say right now I do not know much about this

Revelations is the last book of the Bible, most famous for detailing the end of the world

This specific point is also covered briefly in the Nicene Creed

At the end of the world, God with Jesus at his right hand, will judge every soul and deem those worthy to join him in the new eternal kingdom of God

This is depicted by Michelangelo in the Last Judgement 


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