The 5 stages of watching POTO 1925:
1. Beautiful set design. Mouth of Hell, giant skull for sitting on and decapitated head automaton -- peak Gothic atmosphere.
2. He's here! The Persian at last.
3. I want to live in this Erik's basement, that gondola-inspired bed is gorgeous.
4. Oh la vache, who let Erik drive?
5. THEY YEETED HIM INTO THE RIVER?
(Meme is originally Interview with the Vampurr Lestat's corpse yeet.)
I am not happy that they made this a 'monster film.' The greatest part of POTO is how it never denied Erik's crimes, but also never portrayed him as a mindless monster. But other than the ending, I did enjoy the film.
HOWEVER, now I'm in a mood and want to write a whole essay in complaint of the other silver screen adaption I've seen thus far, Phantom of the Opera (2004). That one I sometimes wish to roast with the heat of a burning opera house. See that and rambles about other adaptations here
he was really made for this role ðŸŽ
Dr Ziska: A strange case - but I deal in strange cases!
the lost movie I most want to be found